Changsha Festival 2020

I’ve been fortunate enough to have been invited 3 years in a row and the dates and registration details for the 2020 festival are here. Owing to the pandemic, some of the festival will be held online.

There’s also an article below about past festivals by the estimable Steve Mann and links to various performances and media.

Registration start date:Sept. 30, 2020

Preliminary round video submission deadline: Nov. 15, 2020

Notification of finalists : Nov. 30, 2020

Open group final round video submission deadline: Dec. 17, 2020

Youth group final round video submission deadline: Dec. 10, 2020

Children group A & B final round video submission deadline: Dec. 10, 2020

Price of registration is $10. 

More information can be found on the official website: http://guitar.org.cn/ 

Article by Steve Mann

Changsha Guitar Festival: what is it and what does it mean?

At first this seems like an easy question: various guitar competitions with national and international guests giving concerts, lectures and master classes for the duration of about a week in the city of Changsha, southern China.

On a certain level this is true, but the more I think about it the more I realize it is so much more and that it means very different things to different people.

To start with something that I know a bit about, I can say what the festival means to me. I first went to Changsha in 2015 to help write articles on the event.

I was impressed with the atmosphere, which felt like a cross between a symposium, a set of music concerts, a party and a ‘Chinese style fun for all the family’ competition.

There were many fascinating and well known guests there that year, but I was somewhat in awe of one of them in particular – Roland Dyens.

With Roland being fresh off the plane, and looking quite grumpy, I didn’t quite know how to approach him to ask him questions for the articles I was writing. When I saw him in the breakfast the next day he was working on his laptop and so I sat with some of the other guests. He then came over and showed us what he had been ‘working on’. One of his friends had copied a picture of him having just got off the airplane in Changsha and pasted it next to a scruffy fugitive off some international wanted list! We all laughed hysterically. (In all honesty there was quite a bit of similarity between the two photos). At that point I realized that he was a wonderful talented human being, but with his own unique skills, quirks and charm. In many ways Changsha guitar festival is like this for me; it is a place where these great artists that we hold in high esteem can meet and be part of a grassroots development of the guitar in fun friendly way, with its own unique characteristics.

Festival organisers and friends

Over the years, I have got to know the organizers, helpers and regular attendees at the festival and I am aware of the massive investment of time, money and energy that goes in to this event.

For them the meaning of the Changsha Guitar Festival is probably something much more personal with the main organizers Mr Li and Xuefei Yang working around the clock to make the festival each year better than the last. The logistics and organizational skills required for arranging such an event are vast, with guests, competitors and sponsors all needing to be taken care of. Both organizers put a lot of skin in the game and they always go the extra mile, with Mr. Li’s team doing anything they can to make people welcome, such as helping one of the international competitors to find an artificial nail at 10 o’clock at night.

https://www.youtube.com/watch?v=eaaJyc5Hy98

(Xuefei Video: A Moonlit Evening on the Spring River for Classical Guitar and Chinese Flute)

As for the competitors and guests (Gerald has visited three times), they all have their own individual reasons for visiting. Although I do not know these reasons, I see people leaving the festival with faces that show they have had a wonderful time there.

https://www.youtube.com/watch?v=YmFc7xnT2UE

https://www.youtube.com/watch?v=Cd6xBhmDxH8

Interview with guests: Johan Smith and Lazhar Cherouana

Regarding the 2020 Changsha Guitar Festival, due to the pandemic situation it will be held later this year with a part held at the Changsha venue and a significant part held online.

The details have finally been fixed but please feel free to check in with the festival website given below.

Vsit here for the official Changsha Guitar Festival Website:

http://guitar.org.cn/

More videos can be found on the official YouTube channel:

https://www.youtube.com/channel/UC64XKw_Qs_ApWfaCeO8E0cA

Here are some happy moments from past years

Berta Rojas and Xue Fei Yang
Kenneth Kwan, Ben Verdery, Xue Fei, Mark Eden, Ekachai Jearakul
Xue Fei, Paolo Pugliese, Clive Carroll
Damon Smallman and Ingrid Riollot
Raphael Feuillatre and Jihyung Park
The team of helpers
Mr.Li with young players
Cheers!

“The Leaves be Green” Interview with Timothy Bowers

After taking a break from the blog, there is now lots of new material.

I would like to start with this interview with the composer of a favourite piece with guitar quartets-
“The Leaves be Green”.

Bowers
The composer, Timothy Bowers, is a rather shadowy figure, but I managed to find him as he and I were the only ones raiding the drinks table at a reception for the Vida Quartet’s concert (featuring the ‘Full English’ on their eponymously titled CD, The Leaves Be Green) at King’s Place last year.


Timothy Bowers is Head of Undergraduate programmes at the Royal Academy of Music.
He is a versatile composer whose large output (approaching 100 pieces) includes works written for a wide range of instruments as soloists, including the series of six works commissioned by the Royal Academy of Music Brass department and published by Queen’s Temple Publications.
I was surprised to learn that he has written many guitar pieces, most of which are in manuscript, but some are available from Spartan Press.

National Youth Guitar Ensemble – auditions – calling all teachers in the UK

NYGE logo

The National Youth Guitar Ensemble is currently looking for young talented guitarists who have a passion for performing and interacting with like-minded musicians to audition for the ensemble’s 2015 courses.

If you know of a gifted guitarist aged 13-18 years old, that is of at least grade 6 standard then NYGE would love to hear from them.

Details below
Link to the audition flyer :

Excerpts from last summer’s concert with the Vida Quartet
Cuerda Pa’rato arr. Louis Trépanier

Spectral Dreams by Gerald Garcia

Auditions are taking place in January at the following venues:
2015 AUDITION DATES & VENUES:

11th Jan: London – Royal Academy of Music

24th Jan: Manchester – Chetham’s School of Music

31st Jan: Birmingham – Edgbaston High School for Girls

The National Youth Guitar Ensemble offers the highest standard of ensemble training in the UK to young aspiring guitarists. Directed by guitarist/composer Gerald Garcia, the NYGE is currently made up of twenty four of the UK’s finest young guitarists. 

Successful candidates are invited to attend two residential courses per year. Bursaries are available to students in financial difficulty.  

Applicants need to be 13 – 18 years old on the 1st September 2015 and the equivalent standard of grade six or above.

APPLICATION DEADLINE: 5th December 2014

For late applications please email the Co-ordinator for availability.

 

Successful applicants are invited to attend two residential courses at Easter and in the summer led by Musical Director Gerald Garcia. The VIDA Guitar Quartet performed with NYGE for the 2014 concert season. Other past artists and conductors with NYGE include Leo Brouwer, Gary Ryan, Chris Susans, Carl Herring, Belinda Evans and Keith Fairbairn.
Bursaries for the courses are offered in cases of need.

 

Applicants can apply for an audition online here

 

More videos here


 

NYGE and Vida Quartet play in Oxford on Friday 25th July

EGYAlogo

A date for your diary –
Friday 25th July – 7.30pm
THE CHURCH OF ST JOHN THE EVANGELIST
109A Iffley Rd, OXFORD OX4 1EH
Here is a video of NYGE at Easter


Video by Sophie Standford
National Youth Guitar Ensemble, Easter Concert, April 2014
Anton Arensky (1891-1906) Variations on a theme of Tchaikovsky arranged by S. Gordon
Performed at The Menuhin Hall, Stoke D’Abernon, Surrey, UK
Musical Director: Gerald Garcia

Last Year with Belinda Evans

Gerald Garcia conducts the National Youth Guitar Ensemble with Belinda Evans in his “Four Hebridean Songs”. Easter 2013

The National Youth Guitar Ensemble 
& Vida Quartet
Friday 25th July – 7.30pm
THE CHURCH OF ST JOHN THE EVANGELIST
109A Iffley Rd, OXFORD OX4 1EH
www.sje-oxford.org
P
rogramme includes works by:
Borodin, Mussorgsky, Arensky, Arnold,
Inti Illimani, Gershwin and first performance of
Gerlad Garcia’s Concerto for Guitar Quartet

NYGE and Vida at SJETickets are £10 (Conc. £8) and FREE for Under 18s.
Tickets are available on the door or can be reserved by contacting the NYGE Co-ordinator:
Tel. 07761 425405
Email: info@nyge.co.uk
Web: www.nyge.co.uk

WYGF 2013 – 1

WYGF is the World Youth Guitar Festival, which conjures up images of children aged 8-18 jumping up and down with balloons, enthusiastic tutors being silly in a panto, and also some serious ensemble work with some of the best names in the business. It is a place where young guitarists of all abilities make music together under the musical direction of inspirational tutors and mentors.
This year, tutors include Gaelle Solal from France, the Duo Agostino from Australia, Frank Gerstmeier from Germany, Johannes Moller from Sweden, Peter Nuttall, Mark Eden, Mark Ashford, Helen Sanderson, Chris Stell, Nick Powlesland, Matthew Robinson and myself. The organisation was ably managed by Sandra and Trevor Dukes, Georgina Bashford as Head Mentor and the Festival Director Helen Sanderson.
This all took place in the hallowed grounds of Uppingham School.

WYGF

Continue reading

Alternative performing venues part 2

The alternative performing space I like best is Goldberg’s room next door to his boss Count Kaiserling. The Count was an insomniac and used to get Goldberg to play the clavichord to while away the night – no iPod or TV!
I often wonder how Goldberg must have spent his day and when he had time to practise! Of course, this would all have been a footnote in history if Forkel, Bach’s biographer had not written that Count Kaiserling had commissioned old Bach to write his eponymous set of variations for Goldberg. The Count was reported to have said, frequently  ‘Dear Goldberg, do play me one of my variations.’

A few years back, where would you have been able to listen to the following guitarists in a more or less regular series for free? Xue Fei Yang, Johannes Moller, David Leisner, Alison Smith, the Eden Stell Duo, Gerald Garcia and Alison Bendy?

Continue reading